Skip to content
Sign up
Docs
Close menu

The Labelcaster Alternative for Labels Buying Infrastructure

Short answer: Labelcaster runs your label administration for 10% of royalties and charges nothing up front, while LabelGrid sells the infrastructure underneath it on a flat yearly fee, published on our pricing page for every plan and tier. Buy the service if you want the work done for you. Buy the platform if you would rather own the workflow as the catalogue grows. Every Labelcaster line in the table below is taken from their own published pages, read 23 September 2026 and linked beneath it.

What comes with it, and how do you get in?

LabelGrid publishes three ways to buy on one price list: self-serve distribution for labels and artists, Imprint, a white-label portal where each end customer is a full workspace with its own login on your own domain, and Engine, an API with public documentation, DDEX ERN import on the API plans and on Custom Distribution, and an open-source MCP server on the public registry. Their 32 distinct captured documents, read 23 September 2026, do not mention an API, a white-label or reseller portal, DDEX or ERN of any version, an MCP server, a sandbox, webhooks or a free trial, though their help centre indexes 133 articles and eighteen of them were read, so read that as the shape of their published material rather than the shape of their product. Their door is an application that a human reviews; LabelGrid screens API and third-party distribution with KYC/KYB as well, and also keeps a self-serve door that opens on a 7-day free trial on the self-serve plans.

3

Products on one backend

4

DDEX ERN versions

100%

Yours on your own DSP deals, on Custom Distribution and the API tiers

7

Free-trial days on self-serve distribution plans

SOURCED COMPARISON

Labelcaster and LabelGrid, Row by Row

Every Labelcaster cell below is taken from their own published pages, read 23 September 2026 and linked underneath the table. Where their documents gave no answer, or where ours cannot answer in kind, the row is left out rather than guessed.
FeatureLabelGridLabelcaster
Cost to startA flat yearly plan fee, with every distribution plan and API tier priced on the pricing page including the Custom Distribution and API starting prices, and a 7-day free trial on the self-serve plansNo upfront, monthly, yearly, per-release or per-track fee
What the customer keepsYou keep 85% of standard-DSP royalties on Solo and Basic and 90% on Pro — the same share their 10% leaves — and on Custom Distribution and every API tier you keep 95% of standard-DSP royalties earned through LabelGrid's deals and 100% of what you earn on your own DSP deals or through SOBO, on a flat yearly fee that steps with volume instead of tracking the catalogue10% commission on royalties
What the fee coversDistribution with every release manually reviewed for quality, metadata and rights before delivery on every distribution plan unless the account distributes only through its own direct deals; royalty accounting with automated splits and per-artist statements from Basic up and on every API tier; YouTube Content ID registration; ISRC and UPC codes at no extra cost; Dolby Atmos and hi-res delivery at no per-track charge; dashboard analytics on every planDistribution, contracts and splits, reporting, payouts
Labels and sub-labelsLabels per plan: Solo 1, Basic 3, Pro 5, Custom Distribution 50. The API tiers meter the same registered labels — 5, 25, 100 and unlimited — and each standard API tier can add one fixed label pack through support, 5 on Starter, 10 on Growth, 25 on Scale. Every limit, overage and pack is published before you buy.Unlimited labels, sub-labels and artist accounts at no extra cost
Artists and collaboratorsAutomated splits and per-artist statements from Basic up and on every API tier, with LabelGrid issuing the statement and paying the collaborator rather than leaving the account holder to send each payment; Solo carries neither. On Imprint each end customer is a full workspace with its own portal login on the reseller's own domain.Each artist and participant has their own login and self-serve payouts
YouTube Content IDContent ID registration is available on every distribution plan; the customer keeps 80% of Content ID and UGC revenue and LabelGrid's fee on that revenue line is 20% where the revenue comes through its own deals — a higher fee than theirsContent ID at the same 10%
How you get an accountSelf-serve plans open without an application and start with a 7-day free trial; API and third-party distribution go through onboarding screening with KYC/KYB, and Imprint is scoped and quoted at onboardingApply for an account; every application human-screened
If the subscription stopsA yearly subscription: where it lapses or goes unpaid for more than 60 days LabelGrid may remove or withdraw the content and may suspend or terminate the account, on any planRelease contracts auto-renew monthly; catalogue stays live

Each of the 8 Labelcaster values above is sourced from their own published pages, read 2026-09-23: guidance.labelcaster.com/en/articles/can-anyone-get-an-account, guidance.labelcaster.com/en/articles/contentid-requirements, guidance.labelcaster.com/en/articles/what-does-labelcaster-cost, guidance.labelcaster.com/en/articles/what-happens-when-rights-period-ends, labelcaster.com/, labelcaster.com/music-distribution/, labelcaster.com/the-labelcaster-service/. Dimensions we could not source from one of their primary pages are omitted rather than guessed.

COST OVER TIME

How the Bill Behaves as You Grow

A commission is a share of everything the catalogue will ever earn. It moves with the business, and it does not stop. A flat yearly fee steps when your volume crosses a published limit, and between those steps it stays the same number whatever the catalogue does. That is the whole of the difference, and which one costs you less depends entirely on where you are.

So put our ladder next to their 10%, which covers their whole service. On Solo and Basic you keep 85% of standard-DSP royalties, so their rate leaves you more. On Pro you keep 90%, which is the same share. On Custom Distribution and every API tier you keep 95% of standard-DSP royalties earned through LabelGrid’s own deals and 100% of what you earn through your own DSP deals or your own Merlin membership, on a flat yearly fee they do not charge at all. Below that crossover their number is the better one, and on two of our four self-serve plans it is better outright.

The question is not who takes less. It is whether your royalties are growing fast enough that a share of them will overtake a price you can read on our pricing page today.

What you can check today

Published prices

Every distribution plan and API tier is priced on the pricing page, including the Custom Distribution and API starting prices.

Public documentation

Engine’s endpoint reference reads without a login or a sales call.

Sandbox on activation

LabelGrid switches the Engine sandbox on once your paid API plan is active, as part of that upgrade and never before purchase.

Open-source tooling

Our MIT-licensed MCP server sits on npm, with a companion CLI, and both run on an API plan.

TOOLS YOU RUN

Your Catalogue on Your Own Site

The official LabelGrid Tools plugin syncs releases, artists and download gates into WordPress every six hours, on any account and without an API plan. The MCP server and the CLI need an API plan and an API token, and both sit on the same public API, so the automation you build is not tied to one client.
See the WordPress plugin

LABELS AND ARTISTS

For a Label Running Its Own Catalogue

A LabelGrid self-serve plan is an annual price with its contents printed beside it. Dolby Atmos mixes and high-resolution masters you supply are delivered at no per-track charge on every distribution plan and every API tier. An ISRC per track and a UPC per release are assigned at no extra cost, and the codes stay yours if you move on. YouTube Content ID registration is available on every distribution plan, and on Content ID and UGC revenue earned through LabelGrid’s deals you keep 80% while LabelGrid’s fee is 20%, which is higher than the 10% Labelcaster applies to the same revenue.

Automated royalty splits and per-artist statements run from Basic up and on every API tier, with LabelGrid issuing each statement and paying the collaborator rather than leaving you to send every payment yourself. Solo carries neither, so a label paying collaborators should start at Basic. Every release on a distribution plan is manually reviewed for quality, metadata and rights before delivery, unless the account distributes only through its own direct deals. Self-serve plans open with a 7-day free trial.

If your catalogue earns little today, 10% of that is less than any plan fee we publish. That answer is theirs, and it is a fair one.

In every distribution plan

Atmos and hi-res

Dolby Atmos and high-resolution masters you supply are delivered with no per-track add-on fee.

Codes included

An ISRC for each track and a UPC for each release are assigned at no cost, they can be replaced by codes you already hold, and they remain yours afterwards.

Review before delivery

A person checks every release on a distribution plan, unless the account distributes only through its own direct deals.

Splits from Basic

From Basic up and on every API tier, LabelGrid pays each collaborator directly and issues the statement that goes with the payment.

WHITE-LABEL OPERATORS

For Operators Reselling Distribution

Account structure is a trade-off rather than a feature, so here are both shapes and the third answer for when neither of them fits.

How Labelcaster is shaped

All of a Labelcaster customer’s labels and sub-labels run from the same account, with the whole artist roster alongside them, at no extra cost per account or entity, and a label may invite as many artists and participants as it likes at no additional cost. Each participant holds their own account: they sign and view contracts, watch release performance, download reports and request their own royalty transfer without the label doing anything. Nothing in that structure is metered, so the tenth sub-label costs them nothing.

How LabelGrid is shaped

LabelGrid meters labels and tracks. Solo carries one label, Basic three, Pro five and Custom Distribution fifty. The API tiers run the same meter higher, in registered labels, at 5, 25, 100 and unlimited, and each standard API tier can add one fixed pack of extra labels through support: 5 on Starter API, 10 on Growth API, 25 on Scale API. The pricing page prints every one of those limits and its price before you sign anything. On Imprint, each end customer is a full workspace with its own login on your own domain.

When neither shape fits

The published ladder is the floor of a conversation rather than its ceiling. An operation running thousands of single-label artists is the ordinary example: caps, ceilings, platform fees and packaging are all negotiable in a custom deal, and in special cases so is royalty retention. We do not publish the numbers in those deals. We publish where the ladder starts, and Imprint itself is scoped and quoted at onboarding.

Custom Distribution and the API tiers are also where SOBO sits, so an operator holding its own DSP deals or its own Merlin membership keeps 100% of what those deals earn and uses LabelGrid as infrastructure alone.

ENGINE AND AUTOMATION

For Teams Building on the API

Engine’s documentation is public, so an engineer can read the endpoints, the objects and the error shapes before anyone speaks to sales. The three standard tiers and Custom API are priced on the API pages and the pricing page, each with its own meters: a track limit, a count of registered labels at 5, 25, 100 and unlimited, and a monthly royalty processing cap of $35,000 on Starter API, $115,000 on Growth API and $350,000 on Scale API. Sustained excess over that cap starts a conversation about the next tier instead of an overage charge.

The sandbox opens once your API plan is active, because LabelGrid enables it as part of the upgrade; the 7-day free trial on the self-serve plans does not reach it. DDEX ERN import, either a one-time catalogue load or a continuous feed over SFTP or S3, is available on the API plans and on Custom Distribution, and it carries a one-time setup fee wherever it is switched on. We support ERN 3.8.2, 4.3.0, 4.3.1 and 4.3.2, and the same four versions apply to delivery.

Our MCP server is MIT-licensed, published as @labelgrid/mcp on npm and listed on the public MCP registry, with a CLI beside it on the same public API.

What Engine gives you

Public documentation

The endpoint reference and object model read without a login.

Sandbox on activation

LabelGrid switches the sandbox on as part of the API upgrade, once your paid plan is active, so plan the integration work around that point.

DDEX ERN import

ERN import over SFTP or S3, on the API plans and Custom Distribution.

MCP and CLI

An MIT-licensed MCP server on the public registry, plus a companion CLI, both speaking to the same public API as everything else.

THE HONEST PART

Where Labelcaster Is the Better Choice

Three places where their model beats ours, from their own pages.

Nothing until it earns

Labelcaster state there are no upfront account costs and no monthly or yearly charges, and that they do not charge per release or per track for distribution. A label whose catalogue earns modestly pays them a small share of a small number, and pays us a plan fee whatever the month looks like. If you are early, theirs is the cheaper arrangement.

Nothing is metered

All of a customer’s labels and sub-labels run from the same Labelcaster account, with the whole artist roster, at no extra cost per account or entity, and a label may invite as many artists and participants as it likes at no additional cost. LabelGrid meters both labels and tracks the whole way up the ladder. For a multi-label operator their structure costs less per entity, and the honest counterweight is that our meters and their prices are published before anyone signs, not that the metering is absent.

Content ID at ten percent

Labelcaster charge nothing extra to deliver a track to YouTube Content ID, and Content ID royalties carry the same 10% commission as the rest of their service. LabelGrid’s fee on Content ID and UGC revenue earned through its own deals is 20%, so on that revenue their 10% is the lower number. Content ID is opt-in with them, requested per case against a published eligibility list, while on LabelGrid it is available on every distribution plan; both companies limit it to original recordings you own or control outright.

We keep this section in every comparison we publish; a comparison you cannot trust is worth nothing.

THE DECISION

Which One Should You Choose

Choose Labelcaster if you want the administration done for you rather than operated by you. Their 10% buys distribution, contract creation and e-signature, split administration, reporting and participant payouts as a single service, and it costs you nothing until royalties come in.

Four situations point their way. You run a young label whose catalogue earns a few hundred euros a month, so any annual fee is a worse trade than a share of the income. You run many sub-labels and a wide roster, and you would rather not pay per label or per track for any of them. You want release contracts drafted and signed in the platform. Or YouTube Content ID is a material part of your income, where their 10% beats the 20% LabelGrid charges on that line for revenue earned through its own deals.

They also say plainly that they distribute for record labels and not for individual artists, and that a human screens every application, so an artist without a label reaches them by invitation from a label already on the platform.

Choose LabelGrid if

Growth is the plan

A fixed share of your royalties will soon overtake a published annual fee.

You are integrating

You are building distribution into your own product, and you want public documentation, a sandbox on an active plan and ERN import.

You resell distribution

You want your own brand and domain, each customer in its own Imprint workspace.

You hold DSP deals

On Custom Distribution and the API tiers, SOBO lets you keep 100% of everything your own DSP deals bring in.

BUYER CHECKLIST

Seven Questions to Ask Any Platform

Ask us these and ask them of anyone else on your shortlist. The answers tell you more than a feature grid does.

01Ask what moves my bill next year: my track count, my label count, my royalty volume, or a share of everything the catalogue earns for as long as it earns?

02Ask whether I can read the full price of the tier I actually need without booking a call, and whether the starting prices for the custom tiers are published too?

03Ask whether a person reviews each release for quality, metadata and rights before it is delivered, whether that costs extra, and which plans it covers?

04Ask what happens to my catalogue if I stop paying, and what I have to do to get every release removed from the stores once I ask for it?

05Ask which DDEX ERN versions are supported, on which plans import can be switched on, and what switching it on costs?

06Ask whether there is a sandbox, at what point in the buying process it opens, whether it needs a paid plan first, and what the trial does and does not reach?

07Ask whether the automation tooling is open source, and whether the same endpoints sit on the public API rather than inside one client?

Questions Labels Ask Before Switching

What is Labelcaster, and who runs it?
Labelcaster describe themselves as a B2B label distribution service, and their Terms name the operating entity as Labelcaster AB, Reg. No. 559142-5367, a company organized under the laws of Sweden. Their about page places them in Stockholm and names their founder, Nome Norman, who describes starting the company after trying to get his own label off the ground. LabelGrid is Label Grid, LLC, formed in 2017 and headquartered in Denver, Colorado, independently owned with no major-label and no DSP parent. Their agreement is governed by the laws of Sweden and disputes are settled by the courts of Sweden, with the Stockholm District Court as court of first instance, which is worth reading if your label is not Swedish.

Is LabelGrid cheaper than Labelcaster?
It depends on what your catalogue earns. Labelcaster take a 10% commission on all music royalties going through their system after royalties come in, with no upfront account cost, no monthly or yearly charge and nothing per release or per track, and they state that all labels get the same level of features and services. LabelGrid charges a flat yearly plan fee, published for every distribution plan and API tier; Pro and Custom Distribution add a per-track fee only above their included tracks. On Solo and Basic you keep 85% of standard-DSP royalties and on Pro you keep 90%, so their rate leaves you more on two of those plans and the same share on the third. On Custom Distribution and the API tiers you keep 95% of royalties from LabelGrid’s own standard-DSP deals and 100% of what you earn from your own, on a flat fee they do not charge at all. Below that crossover they cost you less; above it the fee stops tracking the catalogue.

What is the 10% a percentage of?
Their Terms define Net Royalty as Labelcaster’s actual receipts from the Third Party Music Services, less tax, bank transfer and payment-service transaction and currency-conversion fees, and less publishing and compulsory mechanical licensing fees. The 10% comes off that figure first, and participant splits are calculated on what is left. LabelGrid works the same way round: our accounting fee applies to net payable revenue paid to us by the DSPs, and it is deducted before anything reaches you. Both companies also state the rate outside the contract. Their Terms point to the fee as specified on Labelcaster’s website, and four of their help-centre articles state 10% plainly; our Terms bound the fee in a range of 0 to 20% depending on the plan, and our pricing page carries the per-plan number.

How does YouTube Content ID compare?
Labelcaster state there is no additional cost for delivery to Content ID, and that Content ID royalties carry the same 10% commission as their service. LabelGrid’s fee on Content ID and UGC revenue earned through its own deals is 20%, so you keep 80%, and on that revenue their 10% is the lower number. The mechanics differ a little: they state they do not submit tracks for Content ID by default, so a label asks and each case is reviewed against a published eligibility list, while on LabelGrid registration is available on every distribution plan. Both sides restrict it to original recordings you own or control outright, and both name uncleared samples and unlicensed covers as ineligible.

How many labels and artists can each platform handle?
Labelcaster run all of a customer’s labels and sub-labels from the same account, with the whole artist roster, at no extra cost per account or entity, and every participant gets their own account to sign contracts, read splits and balances and request their own transfer. LabelGrid meters labels per plan: Solo 1, Basic 3, Pro 5 and Custom Distribution 50. The API tiers run the same meter higher, in registered labels, at 5, 25, 100 and unlimited, and each standard API tier can add one fixed pack of extra labels through support, 5 on Starter API, 10 on Growth API and 25 on Scale API. That is one meter with a higher ceiling and every figure is published before you buy. On Imprint, each end customer is a full workspace with its own portal login on your own domain.

Does either platform create release contracts?
Labelcaster do, and it is central to their product: their platform creates, signs, tracks and archives a release contract defining splits for any number of participants, with e-signature handled in the app, and a label may upload its own signed agreement instead and use the split and payment management alone. They state their built-in Digital Distribution License Agreement template covers licensing of recordings for distribution and how royalties are split, and that it does not cover physical distribution, merchandise licensing or other mechanical rights. On LabelGrid the comparable feature is split administration: automated royalty splits and per-artist statements from Basic up and on every API tier, with LabelGrid issuing each statement and paying the collaborator directly. Solo carries neither.

How does royalty reporting and payout work on each?
Labelcaster provide a dashboard showing catalogue status, the release pipeline, latest monthly royalties and balance, a monthly overview charting top territories, services, releases, tracks and artists, and a downloadable per-transaction CSV. That CSV itemises, per transaction, net royalty revenue before any Labelcaster deduction, the Labelcaster commission and the total after it, which we are not going to contest. They state reports, data and money are available to the label and every participant by the middle of each month, processed within a day of their receiving payment, with participants paid via PayPal, Payoneer or Revolut bank transfer, each with its own published minimum: €1.00 for PayPal, €20.00 for Payoneer and €100.00 for Revolut. Their figures are stated in EUR. LabelGrid pays monthly: the statement generates from the 21st, payments are initiated between the 3rd and the 14th of the following month, and funds arrive 3 to 7 business days after that. LabelGrid charges no payout fee of its own on any plan. The bank transfer fee for each payout is deducted at cost, and their Terms also place bank transfer and third-party transaction fees on the customer. They publish three payout floors. LabelGrid’s minimum payout is USD 20, with a smaller balance carried forward to a later payment cycle. The two to three month gap between a stream and the report that pays for it belongs to the music services and applies to both companies.

Where does Labelcaster deliver, and how quickly?
Their own published list names Apple Music, Spotify, Amazon Music, YouTube Music, YouTube Content ID, TIDAL, Deezer, SoundCloud, TikTok, Pandora, Audiomack, Anghami, Boomplay, JioSaavn, KKBOX, NetEase Cloud Music, Beatport, Beatsource, Traxsource, Peloton and Meta, and they state you choose any release date and they deliver within 7 days. They support a label’s own ISRCs and UPCs, and ISWCs as well, and supply codes to labels that do not hold their own. LabelGrid delivers to all major DSPs, download stores and social apps worldwide; our own documentation names Spotify, Apple Music, Amazon Music, YouTube Music, TIDAL, Deezer, Pandora in the United States, SoundCloud, Audiomack, Anghami, Boomplay, JioSaavn, KKBOX, QQ Music with Kugou and Kuwo, TikTok, Instagram and Facebook, YouTube Content ID, and the Beatport, Juno Download, Bandcamp and iTunes stores. An ISRC per track and a UPC per release are assigned at no extra cost, you can enter codes you already hold, and the codes are yours to keep if you move on.

What are LBCR MATCH and Labelcaster Records?
They are Labelcaster’s artist-side products, and neither one is the label platform. LBCR MATCH is a demo-submission service sold to approved artists on two subscription terms: €19 for three months, which they state as €6.33/month, with 35 label demo submissions a week, and €69 for one year, stated as €5.75/month, with 50 a week. Those plans auto-renew at the end of their term and refunds are not given for unused services. For labels already on the platform, LBCR MATCH costs nothing and is optional, and a label can switch its demo inbox off at any time, so the funnel runs two ways: artists pay to reach labels, labels take the inbox free. Labelcaster Records is their in-house clearinghouse label for MATCH subscribers who do not find a label, and they describe it as functioning as an aggregator, taking a 20% split of royalties after distribution charges, without A&R, promotion, marketing or delivery to specialty platforms. Neither of those figures is the label-platform rate, which is the 10% commission and carries no subscription at all, and neither belongs beside a LabelGrid plan price.

Who owns my music on each platform?
You do, on both. Labelcaster’s Terms open by stating that they do not and will never claim any ownership of any rights of the artistic material uploaded on or shared through their platform, and that there are no lockups. The distribution licence LabelGrid takes is global and non-exclusive: you may distribute the same recordings elsewhere at the same time, and no exclusivity survives termination. Neither company is buying your catalogue, and any comparison that turns ownership into a selling point here is selling you something else.

See What It Costs Before You Call

Every distribution plan and API tier is priced on the pricing page, including the starting prices for Custom Distribution and the API tiers, and the self-serve plans start with a 7-day free trial. Read the numbers first, then talk to us if your catalogue sits outside the published ceilings. Every Labelcaster line in the comparison table above is taken from their own published pages, read 23 September 2026 and linked beneath the table; if we have misread one of them, tell us and we will correct it.

See API Pricing