iGroove Alternative: Infrastructure, Not a Service Deal

Short answer: iGroove is a Swiss service business selling distribution with advances and marketing campaigns, at a one-time fee per release plus a permanent share of revenue and no recurring fee. LabelGrid sells the infrastructure a label or a platform runs on, priced as a flat yearly fee. An iGroove account starts with an application they may decline; a LabelGrid self-serve plan starts on a 7-day free trial, and an API plan needs onboarding screening here too. Every iGroove value in the table below comes from their own published pages.

What happens to your rights when you leave?

iGroove answer that in their own FAQ: “You maintain control over your rights. iGroove only obtains the right for the digital distribution of the songs you upload, and exclusively for the platforms, stores, and countries you specify. If our business relationship with you ends, we retain the distribution rights for an additional 12 months. After this period, these rights revert to you.” That exclusive period attaches to recordings published through iGroove in the contract territory, their contract runs for an indefinite period with 30 days’ notice to the end of the month on either side, the 12 months then runs from the end of the contract term, recordings confirmed for distribution before their terms took effect on 4 May 2024 are carved out, and their Terms add that a takedown inside that period is “only permissible with prior consent from COMPANY” apart from legal situations such as copyright infringement or proven loss of rights. The licence LabelGrid takes is global and non-exclusive, so you can distribute the same content elsewhere at the same time, no exclusivity survives termination, and you withdraw a release yourself by deselecting outlets on its Outlets tab.

3

Products on one backend

4

DDEX ERN versions

100%

Yours on your own DSP deals, on Custom Distribution and the API tiers

7

Free-trial days on self-serve distribution plans

SOURCED, ROW BY ROW

Row by row, from published pages

Every iGroove value below is quoted or paraphrased from one of their own published pages, linked beneath the table with the date we read it. Where their pages do not settle a dimension, or state it two ways, the row is left out rather than guessed at.

Feature LabelGrid iGroove
How you pay A flat yearly fee, published for every distribution plan and every API tier, with no per-release upload charge. Pro and Custom Distribution add a per-track charge above their track limits ($0.15 and $0.25 per track a year, the Custom Distribution rate up to 10,000 tracks); the three standard API tiers add a monthly royalty-processing cap measured in US dollars ($35,000 Starter API, $115,000 Growth API, $350,000 Scale API) with no overage fee. No annual or recurring fee; one-time fee per release plus a revenue share
What the customer keeps You keep 85% of standard-DSP royalties on Solo and Basic and 90% on Pro; on Custom Distribution and every API tier you keep 95% of standard-DSP royalties earned through LabelGrid's deals and 100% of what you earn on your own DSP deals or through SOBO, which is available on Custom Distribution and the API tiers only. Content ID and UGC revenue carries a 20% fee on revenue earned through LabelGrid's deals. Standard deal: the customer keeps 92% of revenue
Exclusivity The distribution licence LabelGrid takes is global and non-exclusive: you may distribute the same content elsewhere at the same time, and no exclusivity survives termination. Recordings published through iGroove are exclusive to iGroove for the exploitation period
Taking a release down A withdrawal is self-serve and its timeline is published: deselect outlets on the release's Outlets tab and save. Delivery takes 1-3 business days, stores then take 1-14 days to process, and full removal is typically 2-3 weeks. Removal is per release, not per track. Takedowns during the exploitation period need iGroove’s prior consent
Getting started Self-serve distribution plans start with a 7-day free trial. Access to an API plan, and to third-party distribution, requires onboarding screening and KYC/KYB, so those are a conversation here too. Application only; acceptance at their discretion
Account structure Labels per plan: Solo 1, Basic 3, Pro 5, Custom Distribution 50, each carrying its own defaults, distribution settings and statement lines. The API tiers count a different meter — end-customer portals, 5 on Starter API, 25 on Growth API, 100 on Scale API, unlimited on Custom API — and each portal is a full workspace on Imprint, the white-label portal. Subaccounts for additional users, at their discretion
Splits and payout fees LabelGrid charges no payout, processing, withdrawal or per-transfer fee on any plan; automated splits and per-artist statements run from Basic up and on every API tier, and Solo carries neither. Your own bank's transfer or currency-conversion charges still apply. Split partners who are not iGroove customers pay 8 USD / EUR / GBP / CHF per payout
Advances Not offered. LabelGrid does not offer advances against future royalties. Repayable advances against future revenue

Each of the 8 iGroove values above is sourced from their own published pages, read 2026-09-23: www.igroovemusic.com/faq/1-5-are-there-any-recurring-costs-with-igroove, www.igroovemusic.com/igroove-plus, www.igroovemusic.com/terms-and-conditions. Dimensions we could not source from one of their primary pages are omitted rather than guessed.

ACCOUNTS AND SPLITS

What an account is shaped like

Their Terms say that “COMPANY may enable PARTNER to create subaccounts … for additional users within the Account”, and that the account holder is liable for what those users do. That is a capability for extra people inside one account, granted at iGroove’s discretion, which is a different object from a label or an end-customer workspace. It is a fine thing to have, and it is not a number you can plan a roster around.

A LabelGrid account is metered in labels: 1 on Solo, 3 on Basic, 5 on Pro and 50 on Custom Distribution. Each label carries its own profile and defaults, its own distribution settings, and its own lines on the royalty statement, so an artist’s numbers come out of the export already separated. The API tiers count something else entirely, end-customer portals, at 5 on Starter API, 25 on Growth API, 100 on Scale API and unlimited on Custom API, and each portal is a full workspace on Imprint, our white-label portal. Two meters, two different questions.

On the money path beside it, one difference is small and precise. Their price list charges “all RevShare-Partners using the ‘My Deals’ feature … a fee of 8 (eight) USD/EUR/GBP/CHF for each requested payout”, and their FAQ scopes it to artists who are not already iGroove customers rather than to the account holder. LabelGrid charges no payout, processing, withdrawal or per-transfer fee on any plan, with automated splits and per-artist statements from Basic up and on every API tier, and neither on Solo. Bank-side transfer and currency-conversion charges fall on the customer on both sides, and that half is identical.

What an account holds

Labels per plan

Solo 1, Basic 3, Pro 5, Custom Distribution 50, each separately configured.

End-customer portals

The API tiers meter portals instead: 5 on Starter API, 25 on Growth API, 100 on Scale API, unlimited on Custom API.

Splits and statements

Automated splits and per-artist statements run from Basic up and on every API tier; Solo carries neither.

Payout fees

LabelGrid charges no payout, processing, withdrawal or per-transfer fee on any plan.

TOOLING ON ONE API

Your catalogue on your own site

LabelGrid Tools, our WordPress plugin, is in the WordPress directory, costs nothing extra on any account and needs no API plan: it syncs releases, artists and download gates into your site every six hours and builds smart-link landing pages, Spotify pre-saves and gated downloads. The landing pages, their lbl.gr short URLs and the pre-save actions are on the public API too if you are on an API plan, while gated downloads and download contests stay plugin-only. Alongside the API sit an open-source MCP server on npm under MIT and a companion CLI, so the tooling you script against and the tooling we ship are the same thing.

LABELS AND ARTISTS

For a label releasing its own catalogue

Start with the money, because it is where the two models separate. A LabelGrid customer keeps 85% of standard-DSP royalties on Solo, 85% on Basic and 90% on Pro; on Custom Distribution and every API tier a customer keeps 95% of standard-DSP royalties earned through LabelGrid’s own deals and 100% of what they earn on their own direct DSP deals or their own Merlin membership through SOBO, which is available on Custom Distribution and the API tiers only. Content ID and UGC revenue carries a 20% fee on revenue earned through LabelGrid’s deals, and every one of those prices is on the pricing page.

iGroove price the same job differently and, at the low end, more cheaply. Their price list charges a one-time setup fee per release of CHF 25 / EUR 19 / USD 20 / GBP 15 for a single, CHF 35 / EUR 29 / USD 30 / GBP 25 for an EP and CHF 55 / EUR 49 / USD 50 / GBP 40 for an album, and an iGroove customer on their standard deal keeps 92% of revenue with no subscription to carry. Two things decide which model costs less. The first is how many releases you put out, because their fee is charged per release and ours is not. The second is the percentage: their 8% sits below the 15% on Solo and Basic and the 10% on Pro, and above the 5% on Custom Distribution and the API tiers, so rising revenue favours our model only from Custom Distribution up. A few releases earning modestly sit on the side where their model is cheaper, and where the crossover falls depends on your release count and revenue rather than on our argument.

What the flat fee buys is the same on every distribution plan: Dolby Atmos mixes and hi-res masters delivered at no extra charge, YouTube Content ID registration, ISRC and UPC codes at no cost that stay yours if you move, and a manual review of every release for quality, metadata and rights before delivery, unless the account distributes only through its own direct deals. Self-serve plans start with a 7-day free trial.

What the plan includes

Spatial and hi-res

Dolby Atmos mixes and high-resolution masters are delivered on every distribution plan at no extra charge.

Content ID

Registration is available on all distribution plans, and Content ID and UGC revenue earned through LabelGrid’s deals carries a 20% fee.

Release review

Every release on a distribution plan is reviewed for quality, metadata and rights before delivery, unless the account distributes only through its own direct deals.

Codes you keep

ISRC and UPC codes cost nothing extra and remain yours if you later change distributor.

WHITE-LABEL OPERATORS

If you release for other people

Running other people’s releases is a different purchase from running your own, and the honest way to compare it is as a trade-off between account shapes rather than as a feature score.

What their pages describe

iGroove’s published material describes an application-gated account, a mobile app that runs the whole business from a phone, a distribution service, marketing services and advances. Their 28 distinct captured pages, read 23 September 2026, do not mention a white-label or reseller portal, an API, a sandbox, webhooks, DDEX ERN ingest or an MCP server. That is a statement about what their published documentation covers, not about what they can build, and the right people to ask about a roadmap are iGroove.

What ours is shaped like

Imprint is the LabelGrid white-label portal: your brand on your domain, with every end customer in its own workspace and its own portal login, composed by you rather than inherited down a tree. Access is by waiting list and pricing is scoped at onboarding rather than published. Our model has a cost worth naming: a workspace is one label, so an artist who wants their own becomes their own end customer through self-serve signup on your domain, and an artist who does not is a contributor credit inside someone else’s workspace.

When the ladder does not fit

The published ladder is the floor of a conversation rather than its ceiling. A custom deal is normally for a business whose shape runs past the listed tiers: too many tracks, too many labels, or too much monthly royalty income. Caps and ceilings, platform fees and bespoke packaging are all negotiable, and bulk label pricing for an operation running thousands of single-label artists is a real example of the last one. The route is public; the numbers in any signed deal are not.

If your business is releasing and accounting for music that other people own, the questions worth asking are how many workspaces you get, who logs into them, and whether the statement export separates them for you. Those are answerable from our pricing page and our royalty accounting documentation before you speak to anybody.

API AND INGEST

If you are building on top

The LabelGrid API documentation is public and readable without a sales call, and the three standard tiers plus Custom API are priced on the pricing page, so you can size the integration before anyone knows your name. The sandbox is not public: it is enabled by us as part of the API upgrade, which means it opens once your plan is active rather than before you buy. We say that plainly, because a sandbox you cannot reach on evaluation day is a real constraint on how you plan the build.

LabelGrid supports DDEX ERN 3.8.2, 4.3.0, 4.3.1 and 4.3.2, and the same four versions apply in both directions. Delivery to stores uses the ERN suite on every plan; ERN import, either a one-time catalogue load or a continuous feed over SFTP or S3, runs on the API plans and on Custom Distribution, not on Solo, Basic or Pro, and it needs support to enable it plus a one-time import setup fee wherever it is turned on. Our MCP server is on npm as @labelgrid/mcp under MIT and listed on the public MCP registry, v0.4.0 with 30 tools across eight toolsets, and the @labelgrid/cli wraps the same public API.

We name the meters plainly, because they are how the bill moves. A tier is bounded by a track limit, by end-customer portals, and by a monthly royalty-processing cap measured in US dollars: $35,000 on Starter API, $115,000 on Growth API, $350,000 on Scale API. There is no overage fee on that cap; sustained excess starts a tier-upgrade conversation instead. Each standard API tier can add one pack of extra label portals through support, fixed at 5 on Starter, 10 on Growth and 25 on Scale, and past that one pack the answer is the next tier.

What you can check today

Docs without a login

API documentation is public and readable before you talk to anyone at LabelGrid.

Sandbox timing

The sandbox is enabled as part of the API upgrade, so it opens once your plan is active.

ERN versions

LabelGrid supports ERN 3.8.2, 4.3.0, 4.3.1 and 4.3.2, in delivery and in import.

Royalty processing cap

US dollars of royalties processed a month: $35,000 Starter API, $115,000 Growth API, $350,000 Scale API, no overage fee.

WHERE THEY WIN

Where iGroove is the better choice

Advances are the clean concession: LabelGrid does not offer them, iGroove do. The rest of this section is what iGroove themselves sell around a release, and for some buyers that is the whole point of choosing a distributor. Here is where we would send you to them.

If you need capital

LabelGrid does not offer advances against future royalties. iGroove do: their iGroove Plus page offers “Flexible advances” and says “you can access advances any time, on terms that are fair, and without having to commit long-term”, with their FAQ setting the bar at 18 years of age, the necessary rights, and a calculated amount above EUR 1,000, regularly at a participation of iGroove of at least 14% over a release evaluation period of at least one year. Their Terms add the consequence: where an account carries a shortfall, the exploitation period extends until it is repaid. If you need money against a catalogue, go to them.

If you want iGroove running the campaign

Their marketing services page sells playlist pitching and Instagram, TikTok, YouTube, streaming and Spotify promotion, opening “no matter what deal you have with us, you can get your releases promoted … with our marketing experts”. iGroove Plus adds a personal product manager on WhatsApp, email and phone, strategy and release planning, introductions in the music scene, help with profile verification, and Spotify Discovery Mode. Prices for those services are viewable in the account or agreed individually, and their app is where a customer runs the lot from a phone.

A few releases, early revenue

Their rate beats most of our ladder, and pretending otherwise would be easy to check. An iGroove customer on their standard deal keeps 92% of “settled and actually paid gross revenues from the exploitation of the Recordings minus sales tax or corresponding taxes”, with no annual or recurring cost, against 85% on LabelGrid Solo, 85% on Basic and 90% on Pro. Custom Distribution and the API tiers, at 95% on our own standard-DSP deals and 100% on yours, sit above it and are entered through a signed agreement. Few releases and modest earnings favour them.

We keep this section in every comparison we publish; a comparison you cannot trust is worth nothing.

THE DECISION

Which one to pick

Choose iGroove if you want a partner who does the work with you rather than a platform you operate: an advance against a catalogue you already have, a named product manager to plan a release with, and their marketing experts running the campaign for a fee. Choose them if you are putting out a few releases and would rather pay once per release and carry a share of revenue than pay a yearly fee at all. Choose them if your business runs from a phone, because that is what their app is built for.

Choose LabelGrid when the releases stop being only yours and the work becomes administration. Fifty labels on Custom Distribution, each with its own defaults and its own statement lines, or end-customer portals on the API tiers under your own brand, are a different shape of account from subaccounts for additional users. Automated splits and per-artist statements from Basic up mean the platform pays your collaborators rather than you doing it by hand every month.

Choose us, too, if a non-exclusive licence matters to your plan. You can distribute the same content elsewhere at the same time, no exclusivity survives termination, and taking a release down is something you do yourself.

Choose LabelGrid if

You run a roster

You need many labels or many end-customer portals, each with its own settings and its own statement lines.

You pay collaborators

Automated splits and per-artist statements run from Basic up and on every API tier.

You are integrating

Public API docs, four ERN versions, DDEX import on the API plans and Custom Distribution, and an open-source MCP server.

You want non-exclusive terms

The licence is global and non-exclusive, and no exclusivity survives termination.

ASK US TOO

Seven questions for any platform

These are the questions we would ask before signing anything in this category, LabelGrid included. Every one of them has a checkable answer.

01Ask what the plan is metered by, whether that is tracks, labels, end-customer portals or royalties processed in a month, and what happens at the moment you cross the meter rather than at renewal.

02Ask how much of the price you can read before anyone knows your name, and which parts are quoted at onboarding instead of published.

03Ask whether release review is part of the plan or an add-on, what it actually checks, and which plans it applies to, since a review that is optional on your tier is not a safety net.

04Ask what happens to your catalogue after the relationship ends: whether the licence is exclusive, how long any exclusivity outlives the contract, and whose consent a takedown needs in the meantime.

05Ask which DDEX ERN versions are supported and in which direction, then ask whether catalogue import is on the plan you are buying or on a plan above it, and what enabling it costs once.

06Ask whether there is a sandbox, when you get access to it relative to paying, and whether the documentation is readable without a login.

07Ask whether the AI and automation tooling is open source on a public registry or a closed integration you cannot inspect, and who is allowed to keep using it if you leave the platform.

Questions people ask before switching

iGroove’s Imprint names “iGroove AG” at “Churerstrasse 135 CH-8808 Pfäffikon SZ” and states that “the company headquarters of iGroove AG is located in Switzerland”. Their published General Terms and Conditions carry “Date: April 19th, 2024 (Effective as of May 4th, 2024 at 00:00 hours)”, and they set out who the service is for: “the products and services offered by COMPANY are intended solely for entrepreneurs and are not available to consumers.” That is worth reading without irony, because it is the honest frame for this comparison: iGroove is not a consumer subscription. LabelGrid’s contracting entity is LABEL GRID, LLC, formed in 2017 and based in Denver, Colorado, independently owned with no major-label and no DSP parent. An API plan or third-party distribution with LabelGrid is also a conversation rather than a click, with onboarding screening and KYC or KYB. Where a company is incorporated is not a reason to pick either one; it is here because people ask.
It depends on how much you release and how much it earns, and at the low end the answer is no. iGroove’s pricing FAQ is explicit that there are no annual fees and no other recurring costs at iGroove, and that “you only pay a one-time fee for distribution per release”, with their price list setting that one-time setup fee at CHF 25 / EUR 19 / USD 20 / GBP 15 for a single, CHF 35 / EUR 29 / USD 30 / GBP 25 for an EP and CHF 55 / EUR 49 / USD 50 / GBP 40 for an album; which currency applies depends on the currency setting in the customer’s account. LabelGrid charges a flat yearly fee per plan, published for every distribution plan and every API tier, with no per-release upload charge. Three releases a year earning very little cost less on their model. A catalogue that earns steadily costs less on a flat fee, because a share of revenue grows with the revenue and a yearly fee does not.
On three of our tiers, you keep more with iGroove. Their price list states that “PARTNER receives 92% (ninety-two percent) of the revenues”, defined as “settled and actually paid gross revenues from the exploitation of the Recordings minus sales tax or corresponding taxes and minus all taxes that have to be incurred and withheld”. A LabelGrid customer keeps 85% on Solo, 85% on Basic and 90% on Pro, so 92% beats all three. On Custom Distribution and every API tier a customer keeps 95% of standard-DSP royalties earned through LabelGrid’s own deals and 100% of what they earn on their own direct DSP deals or their own Merlin membership through SOBO, available on Custom Distribution and the API tiers only. Those tiers are entered through a signed agreement rather than a checkout, which is part of the comparison. Content ID and UGC revenue carries a 20% fee on revenue earned through LabelGrid’s deals. Both companies also publish that a negotiated route exists and neither publishes its numbers: their features page says “each iGroove deal is individually checked and designed, so additional costs may be incurred depending on the deal size”, and our custom deals can move caps, platform fees and, in special cases, royalty retention.
Their Terms grant iGroove exclusive authority in the selected contract territory through the selected providers during the exploitation period, and clause 5.2 states that “recordings published through COMPANY remain in COMPANY’s exclusive distribution in the contract territory during the exploitation period”, so the customer cannot distribute those recordings through another distributor to the same providers in the same territory. The same clause says “PARTNER is not obliged to publish all available Recordings exclusively through COMPANY”, so the exclusivity is per recording rather than over a catalogue. The contract runs for an indefinite period and either side can end it on 30 days’ notice to the end of the month; the exploitation “ends 12 (twelve) months after the end of the contract term”, with recordings confirmed for distribution before 4 May 2024 carved out, and their FAQ puts it as retaining the distribution rights for an additional 12 months before they revert. With LabelGrid the licence is global and non-exclusive, you may distribute the same content elsewhere at the same time, and no exclusivity survives termination.
Not during the exploitation period without asking. Their Terms state that “any Takedown requests by PARTNER concerning Recordings published through COMPANY during the exploitation period … are only permissible with prior consent from COMPANY”, including partial takedowns by territory or by provider, with exceptions arising from “legal situations such as copyright infringement by PARTNER or proven loss of rights”. Two neighbouring clauses complete the picture: until the exploitation period expires the customer and artists may not re-record or re-produce the underlying works in the contract territory, excluding TV and radio broadcasts, concerts and festivals and excerpts on the artist’s own sites and social channels; and after the contract term ends, “PARTNER is no longer allowed to submit new products, upload associated Recordings or have them distributed by COMPANY”, so existing releases stay exclusive while new ones stop. On LabelGrid a withdrawal is self-serve and the timeline is published: deselect outlets on the release’s Outlets tab and save, delivery takes 1 to 3 business days, stores take 1 to 14 days to process, and full removal is typically 2 to 3 weeks. Removal is per release rather than per track, and deselecting a single store leaves the release live everywhere else.
No. LabelGrid does not offer advances against future royalties, and no plan or upgrade changes that. iGroove do: their iGroove Plus page offers “Flexible advances” and says “you can access advances any time, on terms that are fair, and without having to commit long-term”. Their FAQ sets the requirements as being at least 18 years of age, holding the necessary rights, and a calculated advance amount above EUR 1,000, and states that “advances are regularly possible with a participation of iGroove of at least 14% and a release evaluation period of at least one year”. That participation rate belongs to the financing deal on the songs put into it and is a different arrangement from their standard distribution terms. Their Terms also record what an unrepaid balance does: where there is “a balance against PARTNER on the Account (negative amount / ‘shortfall’), the exploitation period automatically extends (even in the case of a pronounced termination) until PARTNER has fully compensated the existing shortfall”. If capital against future royalties is what you need, iGroove is the right place to ask.
Yes, as a bookable service alongside the distribution rather than inside its price. Their marketing services page sells playlist pitching and Instagram, TikTok, YouTube, streaming and Spotify promotion, and opens “no matter what deal you have with us, you can get your releases promoted on TikTok, Instagram, Facebook, YouTube and directly on streaming platforms with our marketing experts”. iGroove Plus adds a “personal product manager (WhatsApp, email, phone)”, strategy and release planning with a point of contact for strategic questions, mediation of contacts in the music scene, help with social profile verification, and a panel offering Spotify Discovery Mode. Prices are not on those pages: their price list says “current prices and information for booking Other Services can be viewed in the Account or will be agreed upon individually”. LabelGrid’s platform ships promotional tools: a hosted landing page and smart link for every release with an lbl.gr short URL, Spotify pre-saves, optional fan email capture and landing analytics, direct posting to Bandcamp, SoundCloud, YouTube and Instagram from the release row, and the same landing pages on your own domain through the WordPress plugin.
On LabelGrid, nothing of ours: LabelGrid charges no payout, processing, withdrawal or per-transfer fee on any plan, and the deductions are the plan’s distribution share, the higher share on Content ID and UGC revenue, and your own bank’s transfer or currency-conversion charges. iGroove’s Terms say the same about bank costs: “bank fees or other costs incurred in the course of these transactions are borne by PARTNER.” One fee on their side is scoped narrowly and worth knowing before you set up splits. Their price list states that “all RevShare-Partners using the ‘My Deals’ feature will be charged a fee of 8 (eight) USD/EUR/GBP/CHF for each requested payout”, and their FAQ scopes it: “there are no costs for those who set up deals … this fee only applies to artists who are not already iGroove customers”. So it falls on a split partner, not on the account holder. Their My Deals feature lets a customer set participation for each individual song and pays partners into their own iGroove accounts monthly; on LabelGrid, automated splits and per-artist statements run from Basic up and on every API tier, with Solo carrying neither. On payout floors, their FAQ publishes one, “withdrawals are only executed for amounts of at least 100 CHF / EUR / USD / GBP”, while LabelGrid may require a minimum threshold displayed in the dashboard.
Both directions turn on identifier continuity. iGroove’s switching FAQ describes an import tool that “automatically imports the metadata of the selected releases” and is explicit about the condition: “to preserve your streams and playlist placements, you must use the same EAN and ISRCs when registering your releases with iGroove as you did when originally distributed through your previous distributor”, with the metadata and audio identical, and they disclose that a release will be live twice until the previous distributor completes its takedown. LabelGrid works the same way: a customer who already holds codes enters them during release creation, which keeps streaming history and chart continuity, and we validate the barcode check digit on UPC-A and EAN-13. Where you hold no codes, both sides issue them, and their Terms reserve the right to assign ISRC and EAN or UPC where the customer has not supplied them, while LabelGrid assigns an ISRC per track and a UPC per release at no extra cost and you keep them if you move on. One asymmetry matters on the way out: their Terms distribute in the territory “World” to all current and future providers by default, which means back-catalogue recordings can reach newly added platforms without further consent, and a takedown inside their exploitation period needs their consent.
We cannot answer that from their published pages, and we are not going to guess. A search of the 28 distinct documents captured from igroovemusic.com on 23 September 2026 finds no occurrence of “API”, “webhook”, “sandbox”, “white label”, “reseller”, “DDEX”, “ERN”, “MCP”, “SOBO” or “Content ID”. That is a fact about their documentation and not a claim about their product; absence from a set of pages is not a denial, and iGroove are the people to ask. Their help centre is organised into six sections, Advances, Basics, Marketing, promotion and reach, Payouts and credits, Release delivery, and Uploading and adjusting releases, and several article titles in that index cover ground we did not read, so we make no claim on those topics either. On our side the same questions have published answers: the API documentation is readable without a login, the three standard API tiers and Custom API are priced on the pricing page, the sandbox is enabled as part of the API upgrade once a plan is active, DDEX ERN import runs on the API plans and Custom Distribution, and the MCP server is open source on npm under MIT.

See what it costs before you talk to us

Every distribution plan and every API tier is priced on the pricing page, the API documentation is public, and Imprint is quoted at onboarding. Each iGroove value in the table above comes from one of the pages linked beneath it, read on 23 September 2026. If any of it is out of date or wrong, tell us and we will correct it.